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>>DON'T GO. I HAVE A
2
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BAD FEELING.
3
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>>IF IT WERE FOR
YOUR PRESENTATION,
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I WOULD NEVER WORK.
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[Exclamations in another language]
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[In unison] BUT WHAT'S WRONG WITH HIM?
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Guard: STOP THERE!
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[Mermaids]
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Santiago: THE COAST GUARD!
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RELEASE THE CAPE OF THE PATERA.
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I'M GOING TO TRY TO GET OUT OF HERE.
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[Shots]
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[Screams]
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[Gusts] >>HOLD TIGHT!
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[♪]
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[Kicks] [Moans]
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>>GO TO THE LAW RIGHT NOW!
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PENINSULA! HIDE IN
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ALGECIRAS FOR AT LEAST A MONTH!
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UNTIL THINGS ARE
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CALM UP!
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>>DO YOU LIKE SALT? [Screams]
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>>OW! SANTIAGO FISTERRA!
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>>AND WHO IS THE HEAD OF THE
25
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OPERATION? WHO DO THEY WORK FOR?
26
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YOU AND THIS FISTERRA?
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>>[Weak] ABDELKADER... CHAID.
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>>DAMN THE TIME
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I PAYED ITS VIEW TO YOU, MEXICAN.
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>>NO, NO, NO!
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[Muffled screams]
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>>THERE HAD TO BE A SNITCH.
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>>IT'S BEEN DRIS!
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>>AND I WARN YOU SOMETHING... IF YOU
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SOMETHING WILL HAPPEN TO SANTIAGO,
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I SWEAR TO YOU IT'S GOING TO REGRET YOU.
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>>LET'S GO TO ALGECIRAS. BUT
38
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ON ONE CONDITION... THAT ME
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LET IT WORK WITH YOU.
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[♪]
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Santiago: I TOLD YOU NO!
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AND WHEN I SAY NO, IT MEANS NO!
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>>THEN SAY WHAT YOU WANT,
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BUT I'M NOT GOING AGAIN
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STAY WAITING FOR YOU TO SEE
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IF YOU ARRIVE ALIVE OR DEAD.
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YOU DON'T KNOW WHAT IT'S LIKE TO GO THROUGH THAT
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ANGUISH, SO YOU DECIDE.
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YOU GET ME UP WITH YOU IN THAT
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BOAT, OR WE LEAVE IT THERE.
51
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>>BUT ARE YOU CRAZY?
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ARE YOU AN ASSHOLE OR WHAT?
53
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>>THE THREE THINGS! I'M CRAZY,
54
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I'M AN ASSHOLE AND "OR WHAT"!
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WHAT ARE YOU LAUGHING AT?! I'M FED UP
56
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FROM YOU, FROM MELILLA AND FROM EVERYONE!
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>>DON'T BE Stubborn. HEY?
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...THAT MY JOB IS VERY
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DANGEROUS AND CAN KILL YOU.
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>>IT'S THAT YOU HAVE NOT UNDERSTOOD.
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THE WORST THING FOR ME IS NOT DYING.
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THE WORST THING FOR ME IS GOING AGAIN
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HAPPEN WHAT I ALREADY HAPPENED. AND IF YOU
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YOU DIE, I'M NO LONGER GOING TO STAND
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THAT PAIN. SO, COUPLES.
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IF YOU DIE, I DIE
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WITH YOU. SPOT.
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[♪]
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>>OK. ACCORDING TO THE C...
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WITH EVERYTHING. BUT IT'S NOT GOING TO BE
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ME WHOSE LIFE IS BROKEN
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THE MOORS DO CATCH ME. SO
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TRY NOT TO FALL INTO THE WATER
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LIKE LALO.
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[♪]
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>>IT'S THE BEST WHISKEY I HAVE
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ME IN "YAMILA". BUT THIS IS NOT
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MORE FOR... FOR SPECIAL PEOPLE,
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NOT FOR CUSTOMERS. NO? THEN
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I'LL GET YOU, EH? THEN I'LL PUT YOU ON.
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HEALTH! EH... NOW I'M COMING...
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[glasses clink]
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Him: WHERE IS TERESA...?
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Fátima: THE MEXICAN WOMAN IS NOT GOING TO
85
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BE ABLE TO COME. TAKE A LOOK AT
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WHERE. YEAH! IT IS THAT
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HONEYMOON.
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Soraya: COME ON! WHICH IS NOT GOING TO
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COME IN A WEEK. IF IT WAS
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ME, I DIDN'T COME EVEN IN TWO!
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[Laughs]
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[Comments]
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>>DO YOU KNOW WHAT I THINK? WHAT I AM
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00:03:31,133 --> 00:03:32,566
TOO GOOD ME. HEY? BUT
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00:03:32,567 --> 00:03:33,733
THE DAY I GET...
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00:03:33,734 --> 00:03:35,434
YOU'LL SEE. HEY? YOU'LL SEE...
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[♪]
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00:03:47,467 --> 00:03:50,467
[fan noise]
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[♪]
100
00:04:13,100 --> 00:04:14,666
[Memories]
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00:04:14,667 --> 00:04:17,233
♪ We do with the clouds
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00:04:17,234 --> 00:04:21,533
velvet... ♪
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00:04:21,534 --> 00:04:26,032
♪ And there, the two of them together,
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close to God,
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it will be what we dream of. ♪
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♪ If they let us...
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I take you by the hand, sweetheart,
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and there we go... ♪
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00:04:45,767 --> 00:04:48,767
[♪]
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[Sound when burning the photo]
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00:05:12,601 --> 00:05:15,601
[♪]
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00:05:21,234 --> 00:05:22,233
Dris: A LITTLE LITTLE OF THE WHISKEY?
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GOOD? HEY? DO YOU WANT, MARCELO?
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[♪]
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Teresa: GOOD NIGHT.
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Dris: I'M GOING TO DISCOUNT YOU
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THE HOURS YOU ARE LATE.
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Her: I NEED TO TALK TO YOU
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IN PRIVATE, DRIS.
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00:05:41,968 --> 00:05:43,066
>> DON'T YOU SEE THAT I AM WITH MY
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FRIENDS? NOW I CAN'T GO.
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[Exhales]
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>>AS YOU WANT. I RESIGN!
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00:05:50,467 --> 00:05:52,099
Dris: WHAT?
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>>I'M NOT GOING TO WORK HERE ANYMORE.
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00:05:56,300 --> 00:05:58,266
Dris: COME WITH ME...
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PASS. GO, GO! IN FRONT OF ME.
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00:06:02,901 --> 00:06:04,600
Santiago: LALO DIDN'T TELL YOU ANYTHING?
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00:06:04,601 --> 00:06:05,733
Soraya: NOTHING...
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SANTIAGO. HE DIDN'T SAY ANYTHING!
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YES HE WAS... HE WAS LIKE GONE.
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[sobs]
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00:06:13,167 --> 00:06:14,533
THEY HAVE TORTURED HIM.
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[Stifles sobs]
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IT WAS COMING... EVERYTHING LEFT...
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THE NOSE... WAS LAME...
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[Crying drowns her]
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THEY ARE DRIVING HIM CRAZY,
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SANTIAGO. THOSE UNGRATES
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THEY WANT TO KILL HIM.
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IT'S NOT GOING TO COME BACK.
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>>I HAVE TO GO SEE IT.
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Sheila: DON'T BE AN IDIOT,
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SANTIAGO, YOUR PHOTO HAS COME OUT
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IN ALL THE MOROCCAN PRESS!
146
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YOU CAN'T GO. FORGET IT, YES
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YOU DON'T WANT WHAT TO HAPPEN TO YOU
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WHAT TO THE POOR LALO. [Career]
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00:06:49,601 --> 00:06:50,867
Fatima: HEY, ONE THING!
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WHAT IS THIS ABOUT THE
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MEXICAN RESIGNATION?! And
152
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WHERE ARE YOU GOING TO WORK NOW?
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>>YOUR CRAZY FRIEND IS
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HE HAS MADE A STUPID THING INTO THE
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HEAD. COMING TO ALGECIRAS
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TO WORK WITH ME.
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00:07:02,267 --> 00:07:04,334
Sheila: WITH YOU?
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00:07:05,434 --> 00:07:09,166
Colonel: GALLEGO... YOU AND
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00:07:09,167 --> 00:07:11,266
I HAVE A CONVERSATION
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PENDING.
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00:07:16,434 --> 00:07:17,566
Teresa: HERE ARE ALL THE
162
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BOOKS. EVERYTHING IS IN ORDER. NOW
163
00:07:18,968 --> 00:07:20,166
IT'S ALL PAID... NO DUE
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TAXES, NOTHING IS OWED TO
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THE POLICE. FINALLY, EVERYTHING IS
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00:07:23,167 --> 00:07:24,867
WELL, AND NOTHING ELSE IS TO THE STAFF
167
00:07:24,868 --> 00:07:27,633
YOU OWE HIM WHATEVER THIS WEEK.
168
00:07:27,634 --> 00:07:28,733
>>THIS ME
IT'S VERY ANNOYING, TERESA,
169
00:07:28,734 --> 00:07:29,833
BECAUSE I KNOW THIS NONSENSE
170
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YOU DO IT BECAUSE OF THE
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00:07:30,934 --> 00:07:33,066
GALICIAN. I HAVE ALREADY TOLD YOU.
172
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THIS IS NOT THE MAN YOU KNOW
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THEY ARE HERE.
174
00:07:35,534 --> 00:07:36,666
>> NOW, WELL THAT'S GOOD, BECAUSE
175
00:07:36,667 --> 00:07:38,333
NEITHER ME. HERE IS EVERYTHING
176
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DETAILED. LOOK... AND WHAT
177
00:07:40,467 --> 00:07:42,533
YOU SHOULD GIVE IT TO FATIMA.
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>>TERESA... CAN I DO
179
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ANYTHING FOR YOU
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00:07:48,000 --> 00:07:49,868
ARE YOU NOT GOING?
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>>NO. NO, DRIS, NO
182
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YOU CAN DO ANYTHING.
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[♪]
184
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>>I WANT YOU TO DO
185
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ANOTHER JOB FOR ME.
186
00:08:18,968 --> 00:08:20,766
>>I'M SORRY.
187
00:08:20,767 --> 00:08:21,900
...BUT I'M NOT GOING TO WORK AGAIN
188
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FOR YOU. I HAVE OTHERS
189
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CONTACTS... SAFER.
190
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...WHERE NO ONE IS GOING TO TELL ME BACK.
191
00:08:31,067 --> 00:08:35,066
>>I DON'T KNOW WHAT YOU'RE INSINING.
192
00:08:35,067 --> 00:08:36,433
BUT I DON'T LIKE THAT
193
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TALK IN THAT TONE.
194
00:08:39,334 --> 00:08:45,968
[♪]
195
00:08:46,767 --> 00:08:48,099
>>ARE YOU THREATENING ME?
196
00:08:48,100 --> 00:08:50,167
>>ME? NO.
197
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[♪]
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00:09:05,000 --> 00:09:08,000
[♪]
199
00:09:18,801 --> 00:09:21,166
Her: I WANT TO THANK YOU:
200
00:09:21,167 --> 00:09:22,266
YOU ARE A GENTLEMAN AND A
201
00:09:22,267 --> 00:09:23,534
GREAT FRIEND.
202
00:09:24,801 --> 00:09:30,634
[♪]
203
00:09:31,000 --> 00:09:35,433
Colonel: WILL WE SEE AGAIN?
204
00:09:35,434 --> 00:09:37,166
Her: WHO KNOWS?
205
00:09:37,167 --> 00:09:38,334
WHO CAN KNOW?
206
00:09:38,601 --> 00:09:41,868
[♪]
207
00:09:52,434 --> 00:09:53,801
>>BON VOYAGE, CHERIE.
208
00:09:54,434 --> 00:09:57,434
[♪]
209
00:10:11,534 --> 00:10:17,433
[Surge] [Seagulls]
210
00:10:17,434 --> 00:10:18,967
Teresa: DON'T FORGET TO WRITE ME.
211
00:10:18,968 --> 00:10:20,466
WRITE ME
A LOT, A LOT, A LOT!
212
00:10:20,467 --> 00:10:22,533
AND TAKE CARE OF YOUR MOTHER. HUM?
213
00:10:22,534 --> 00:10:23,933
...SO THAT HE NO LONGER CRY.
214
00:10:23,934 --> 00:10:25,333
DON'T CRY ANYMORE! WE ARE GOING TO
215
00:10:25,334 --> 00:10:28,633
SEE AGAIN. [Fatima cries]
216
00:10:28,634 --> 00:10:32,566
>>OH, I OWE YOU SO MUCH!
217
00:10:32,567 --> 00:10:35,066
YOU ARE MY ONLY FAMILY.
218
00:10:35,067 --> 00:10:36,733
TAKE CARE OF IT, GALLEGO! BY GOD.
219
00:10:36,734 --> 00:10:37,933
[Tearful] TAKE CARE OF HER.
220
00:10:37,934 --> 00:10:39,466
Sheila: OW! STOP CRYING NOW,
221
00:10:39,467 --> 00:10:41,999
MORA MORA! TERESA, I DON'T
222
00:10:42,000 --> 00:10:43,066
I AM NOT TO CRY OR SAY
223
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BULLSHIT... [Laughs]
224
00:10:45,200 --> 00:10:48,766
Teresa: COME HERE...
225
00:10:48,767 --> 00:10:49,900
I LOVE YOU TOO. AND ME
226
00:10:49,901 --> 00:10:51,666
I LOVE YOU BECAUSE YOU ARE A C...!
227
00:10:51,667 --> 00:10:53,800
...JUST LIKE ME. [Laughs]
228
00:10:53,801 --> 00:10:55,700
TAKE CARE OF YOURSELF, SORAYA.
229
00:10:55,701 --> 00:10:56,800
YOU WILL SEE THAT VERY SOON IT WILL
230
00:10:56,801 --> 00:10:59,199
LOVE ARRIVES.
DON'T WORRY.
231
00:10:59,200 --> 00:11:02,967
TAKE CARE OF YOURSELF! HUM? [Kiss]
232
00:11:02,968 --> 00:11:04,266
AHMED...
233
00:11:04,267 --> 00:11:06,466
THANKS FOR EVERYTHING.
234
00:11:06,467 --> 00:11:08,333
AND THERE I'LL GIVE THEM TO YOU, EH?
235
00:11:08,334 --> 00:11:09,466
TAKE CARE OF THEM, AND DO NOT LEAVE THEM
236
00:11:09,467 --> 00:11:10,766
DO NOT APPROACH ANY ABUSIVE TYPE.
237
00:11:10,767 --> 00:11:11,967
>>AND WHO IS GOING TO TAKE CARE OF ME?
238
00:11:11,968 --> 00:11:13,266
OF THESE VIBORS? [Laughs]
239
00:11:13,267 --> 00:11:14,433
Santiago: COME! GO...
240
00:11:14,434 --> 00:11:15,500
IT'S WELL SAD THAT IT'S NOT
241
00:11:15,501 --> 00:11:16,600
WE ARE GOING TO THE END OF THE WORLD!
242
00:11:16,601 --> 00:11:17,700
Teresa: I'M GOING TO MISS YOU A LOT
243
00:11:17,701 --> 00:11:19,032
TO ALL. THANKS FOR EVERYTHING.
244
00:11:19,033 --> 00:11:20,534
[Kisses]
245
00:11:20,934 --> 00:11:24,000
[♪]
246
00:11:24,734 --> 00:11:28,099
>>HEY, GALLEGO...
247
00:11:28,100 --> 00:11:29,266
>>WHAT ARE YOU DOING?
248
00:11:29,267 --> 00:11:30,466
>>OLIVES! ...FROM THE SOUTH OF
249
00:11:30,467 --> 00:11:31,633
MOROCCO. [Kiss] GREAT!
250
00:11:31,634 --> 00:11:37,900
[Laughs]
251
00:11:37,901 --> 00:11:39,066
Santiago: I'M GOING TO YOU
252
00:11:39,067 --> 00:11:40,166
MISS, HUH?
253
00:11:40,167 --> 00:11:42,167
>>TAKE CARE OF YOURSELF. DON'T GET IN TROUBLE.
254
00:11:43,501 --> 00:11:44,567
Santiago: LET'S GO!
255
00:11:47,567 --> 00:11:53,800
[engine noise]
256
00:11:53,801 --> 00:11:56,367
COME ON, BRIGHTEN UP THOSE FACES!
257
00:11:57,167 --> 00:12:00,166
[Engine noises as they leave]
258
00:12:00,167 --> 00:12:01,834
[Everyone shouts "Goodbye!"]
259
00:12:03,000 --> 00:12:06,000
[♪]
260
00:12:14,634 --> 00:12:17,266
♪ Because if you are here
261
00:12:17,267 --> 00:12:22,833
I'm starting to love you... ♪
262
00:12:22,834 --> 00:12:26,566
♪ Stay close to me, that
263
00:12:26,567 --> 00:12:32,734
I can't live without your love! ♪
264
00:12:33,334 --> 00:12:36,334
[♪]
265
00:12:54,667 --> 00:12:55,700
[Memories]
266
00:12:55,701 --> 00:12:57,099
>>ARE YOU DON DRIS? A LOT
267
00:12:57,100 --> 00:12:58,500
GUSTO, I'M TERESA MENDOZA.
268
00:12:58,501 --> 00:12:59,934
>>THE MEXICAN.
269
00:13:00,601 --> 00:13:04,901
[♪]
270
00:13:05,200 --> 00:13:06,766
[In another language]
271
00:13:06,767 --> 00:13:07,867
COME HERE TO THE LIGHT,
272
00:13:07,868 --> 00:13:09,033
LET YOU LOOK WELL.
273
00:13:10,000 --> 00:13:13,233
[Steps] >>DRIS...
274
00:13:13,234 --> 00:13:17,366
DON DRIS LARBY?
275
00:13:17,367 --> 00:13:20,132
>>TERESA?
276
00:13:20,133 --> 00:13:21,601
TERESA, IS IT YOU?
277
00:13:22,000 --> 00:13:24,266
[♪]
278
00:13:24,267 --> 00:13:26,967
>>I'M CAROLINA. THE MR. HINOJOSA
279
00:13:26,968 --> 00:13:29,366
HE RECOMMENDED ME TO YOU.
280
00:13:29,367 --> 00:13:30,666
>>WHO?
281
00:13:30,667 --> 00:13:34,433
>>MR. HINOJOSA.
282
00:13:34,434 --> 00:13:35,534
>>UNO JOSA...
283
00:13:40,434 --> 00:13:44,233
COME TO THE LIGHT THAT SEES YOU WELL.
284
00:13:44,234 --> 00:13:50,066
BUT COME TO THE LIGHT! HERE. LET'S SEE.
285
00:13:50,067 --> 00:13:53,466
TOO DARK FOR MY TASTE.
286
00:13:53,467 --> 00:13:55,266
AH!
287
00:13:55,267 --> 00:13:56,600
BUT MOROCCAN AND ITALIAN
288
00:13:56,601 --> 00:14:00,666
I'M SURE THEY LIKE YOU.
289
00:14:00,667 --> 00:14:02,233
QUIET! HEY? QUIET,
290
00:14:02,234 --> 00:14:04,133
NOTHING HAPPENS. HEY?
291
00:14:04,634 --> 00:14:07,634
[♪]
292
00:14:18,934 --> 00:14:22,032
LET'S SEE...
293
00:14:22,033 --> 00:14:23,933
OPEN YOUR MOUTH.
294
00:14:23,934 --> 00:14:25,234
OPEN YOUR MOUTH WIDE!
295
00:14:28,634 --> 00:14:29,700
GOOD. LOOK, I'M GOING TO REPEAT ONE TO YOU
296
00:14:29,701 --> 00:14:31,032
JUST ONCE... I WANT YOU TO BE VERY
297
00:14:31,033 --> 00:14:33,901
ATTENTION, HUH? 50% FOR YOU...
298
00:14:34,133 --> 00:14:35,566
[Memories] ...50% FOR ME.
299
00:14:35,567 --> 00:14:36,967
THE REST IS FOR YOU. OF
300
00:14:36,968 --> 00:14:38,066
AGREE? YOUR OBLIGATION IS
301
00:14:38,067 --> 00:14:39,132
LET CUSTOMERS DRINK THE MOST
302
00:14:39,133 --> 00:14:41,734
POSIBLE, ONE OF THE MOST EXPENSIVE DRINKS.
303
00:14:43,033 --> 00:14:44,968
DO YOU HAVE AIDS CERTIFICATE?
304
00:14:45,334 --> 00:14:46,500
[Memories] >>NO, BUT...
305
00:14:46,501 --> 00:14:47,600
>>I DON'T CARE! AS IF
306
00:14:47,601 --> 00:14:48,700
YOU ARE ROTTEN BY
INSIDE. IT GIVES ME
307
00:14:48,701 --> 00:14:50,399
ABSOLUTELY THE SAME!
BUT I WANT TO
308
00:14:50,400 --> 00:14:51,566
HAVING A ROLE TO TEACH THE
309
00:14:51,567 --> 00:14:53,968
INSPECTOR. DO YOU HAVE PAPER OR NOT?
310
00:14:54,167 --> 00:14:56,199
DON'T WORRY, I'LL GET IT.
311
00:14:56,200 --> 00:14:57,999
I DON'T CARE IF YOU'RE ROT...
312
00:14:58,000 --> 00:15:00,266
BUT I DON'T WANT PROBLEMS.
313
00:15:00,267 --> 00:15:02,867
DO YOU HAVE PAPERS?
314
00:15:02,868 --> 00:15:04,400
I GET IT TOO.
315
00:15:05,033 --> 00:15:06,032
[Memories]
316
00:15:06,033 --> 00:15:08,666
AH! AND TAKE... I DON'T WANT TO
317
00:15:08,667 --> 00:15:10,334
May you infect my clients.
318
00:15:10,901 --> 00:15:13,901
[♪]
319
00:15:20,133 --> 00:15:23,133
{\an8}[♪]
320
00:15:32,634 --> 00:15:34,999
>>THANK YOU.
321
00:15:35,000 --> 00:15:36,066
FOR THE MOST BEAUTIFUL MARIÑEIRA
322
00:15:36,067 --> 00:15:38,333
OF THE WORLD. [glasses clink]
323
00:15:38,334 --> 00:15:39,533
>>BY THE LEATHEREST CAPTAIN
324
00:15:39,534 --> 00:15:41,434
FROM ALL OF SPAIN. [Laughs]
325
00:15:42,434 --> 00:15:47,467
[♪]
326
00:15:47,767 --> 00:15:48,800
YOU DON'T KNOW WHAT I WANT TO HAVE
327
00:15:48,801 --> 00:15:50,967
TO KNOW SPAIN WELL.
328
00:15:50,968 --> 00:15:52,566
>>THEN LET ME TEACH YOU
329
00:15:52,567 --> 00:15:55,299
MÁLAGA... MARBELLA, RATE,
330
00:15:55,300 --> 00:15:58,099
CADIZ... NOW YOU'RE GOING TO KNOW
331
00:15:58,100 --> 00:16:02,433
MY SPAIN, MEXICAN.
332
00:16:02,434 --> 00:16:04,967
YOU LOOK SUPER BEAUTIFUL!
333
00:16:04,968 --> 00:16:06,166
>>DO I FEEL
334
00:16:06,167 --> 00:16:07,534
GOOD TO BE IN LOVE?
335
00:16:08,133 --> 00:16:14,434
[♪]
336
00:16:14,901 --> 00:16:15,933
>>THANK YOU FOR REMOVING
337
00:16:15,934 --> 00:16:18,066
IN THE MIDDLE THE PHOTO.
338
00:16:18,067 --> 00:16:19,634
>> NOW ARE YOU GOING TO BELIEVE ME?
339
00:16:23,000 --> 00:16:25,033
>>MAYBE YES.
340
00:16:27,234 --> 00:16:28,333
Woman: YOU'LL SEE HERE...
341
00:16:28,334 --> 00:16:30,266
I SWEAR THE BEST MARTINIS IN
342
00:16:30,267 --> 00:16:31,733
THE COAST! WHY YES, CARLITOS?
343
00:16:31,734 --> 00:16:32,867
Waiter: OF COURSE YES, MISS
344
00:16:32,868 --> 00:16:33,967
O'FARRELL. ESPECIALLY FOR
345
00:16:33,968 --> 00:16:36,132
YOU. BUT PLEASE COME IN!
346
00:16:36,133 --> 00:16:38,634
CHOOSE SOME OF THE TABLES...
347
00:16:38,834 --> 00:16:40,601
[Laughs] >>OW! [falling noise]
348
00:16:41,100 --> 00:16:42,233
>>YOU ARE PRETTY DRUNK.
349
00:16:42,234 --> 00:16:43,333
>>WELL, THIS IS ABOUT ME
350
00:16:43,334 --> 00:16:44,900
WITH A VERY STRONG COFFEE.
351
00:16:44,901 --> 00:16:45,999
[Laughs]
352
00:16:46,000 --> 00:16:47,834
LONG LIVE MY FRIENDS, THE RUSSIANS!
353
00:16:48,400 --> 00:16:49,399
>>SHHH!
354
00:16:49,400 --> 00:16:50,900
>>OH YES! SHHH!
355
00:16:50,901 --> 00:16:54,399
LET'S BE DISCREET. [Laughs]
356
00:16:54,400 --> 00:16:56,299
HERE MY BOYFRIEND, JAIME ARENAS,
357
00:16:56,300 --> 00:16:57,867
IT'S THE KING OF THE POWDER
358
00:16:57,868 --> 00:17:01,166
ALL ANDALUSIA. [Laughs]
359
00:17:01,167 --> 00:17:04,333
I WANT TO SIT THERE. COME ON.
360
00:17:04,334 --> 00:17:07,633
OH... I QUIT TOBACCO
361
00:17:07,634 --> 00:17:09,333
IN THE CAR!
362
00:17:09,334 --> 00:17:14,133
>>OK, HONEY. OK. [Kiss]
363
00:17:14,734 --> 00:17:20,634
[♪]
364
00:17:20,934 --> 00:17:22,400
Blonde: UH! PRETTY, YOU!
365
00:17:23,200 --> 00:17:28,634
[♪]
366
00:17:30,734 --> 00:17:33,734
{\an8}[♪ Musical theme ♪]
367
00:17:46,834 --> 00:17:50,067
{\an8}[♪]
368
00:18:02,801 --> 00:18:05,801
{\an8}[♪]
369
00:18:18,634 --> 00:18:21,634
{\an8}[♪]
370
00:18:35,534 --> 00:18:38,534
{\an8}[♪]
371
00:18:56,033 --> 00:18:57,900
{\an8}>>NICE BUTT.
372
00:18:57,901 --> 00:18:59,566
{\an8}I'M PATTY O'FARRELL, AND YOU?
373
00:18:59,567 --> 00:19:00,900
{\an8}>>LISTEN TO ME, YOU CRAZY BITCH!
374
00:19:00,901 --> 00:19:01,967
{\an8}WHY ARE YOU GRABING MY
375
00:19:01,968 --> 00:19:03,132
{\an8}BUTCH, HUH?
376
00:19:03,133 --> 00:19:05,566
{\an8}WHAT IS WRONG WITH YOU? ARE YOU PEDA OR WHAT?
377
00:19:05,567 --> 00:19:08,366
>>COME ON, PATTY!
378
00:19:08,367 --> 00:19:12,234
[Gunshots] [Screaming]
379
00:19:12,467 --> 00:19:16,500
>>NO ONE MOVES! NOBODY LEAVES!
380
00:19:16,501 --> 00:19:18,868
I SAID "NO ONE COMES OUT"!
381
00:19:19,334 --> 00:19:24,667
{\an8}[♪]
382
00:19:24,868 --> 00:19:28,033
>>WHERE ARE YOU?! JAIME!
383
00:19:28,767 --> 00:19:32,968
[♪]
384
00:19:33,367 --> 00:19:35,066
YOU HAVE NO WAY OUT!
385
00:19:35,067 --> 00:19:37,033
SON OF P...!
386
00:19:40,334 --> 00:19:41,667
>>GO, COME.
387
00:19:44,067 --> 00:19:45,366
>>BUT WHAT DO THOSE GUYS WANT?
388
00:19:45,367 --> 00:19:46,967
>>COME, PATTY, COME.
389
00:19:46,968 --> 00:19:48,266
NOW, DON'T STOP RUNNING
390
00:19:48,267 --> 00:19:50,399
UNTIL I NOTIFY YOU, OKAY?
391
00:19:50,400 --> 00:19:53,267
LET'S GO, LET'S GO. COME ON!
392
00:19:53,667 --> 00:19:56,067
[♪]
393
00:20:03,434 --> 00:20:06,099
>>WHAT LANGUAGE DO THEY SPEAK?
394
00:20:06,100 --> 00:20:07,766
>>SHU... RUSSIAN. THEY ARE THE MAFIOSISTS
395
00:20:07,767 --> 00:20:09,199
OF THE DRUGS.
396
00:20:09,200 --> 00:20:10,266
>>WHAT DO THEY WANT?
397
00:20:10,267 --> 00:20:11,934
>>LOOKING FOR SOMEONE.
398
00:20:16,534 --> 00:20:18,099
>>DON'T TALK, DON'T RESPONSE,
399
00:20:18,100 --> 00:20:19,734
OKAY, DON'T MOVE.
400
00:20:20,667 --> 00:20:22,399
[Groans]
401
00:20:22,400 --> 00:20:24,868
[Scream]
402
00:20:25,334 --> 00:20:28,334
[♪]
403
00:20:42,000 --> 00:20:43,633
>>WHERE IS THE CAR?
404
00:20:43,634 --> 00:20:45,933
>> FORGET ABOUT THE CAR...
405
00:20:45,934 --> 00:20:47,299
THAT DOG IS WAITING FOR US.
406
00:20:47,300 --> 00:20:48,399
>>WHAT DO WE DO?
407
00:20:48,400 --> 00:20:50,067
>>WAIT.
408
00:20:53,100 --> 00:20:54,334
WE'RE GOING ON THIS ONE, COME UP.
409
00:20:54,567 --> 00:20:57,567
[♪]
410
00:21:07,267 --> 00:21:08,333
>>NOW YOU ARE GOING TO EXPLAIN TO ME
411
00:21:08,334 --> 00:21:09,399
WHY THE... THOSE RUSSIANS TELL YOU
412
00:21:09,400 --> 00:21:10,666
THEY WANTED TO BLOW THEIR BRAINS OUT!
413
00:21:10,667 --> 00:21:11,766
>>PATTY, FIRST THINGS FIRST AND
414
00:21:11,767 --> 00:21:12,867
NOW WHAT MATTERS
415
00:21:12,868 --> 00:21:13,934
IT'S ESCAPE, OKAY?
416
00:21:14,033 --> 00:21:15,501
[♪]
417
00:21:34,300 --> 00:21:36,467
[Shots]
418
00:21:37,367 --> 00:21:40,367
[♪]
419
00:21:54,601 --> 00:21:55,633
>>THESE TYPES ARE THE SAME AS THE
420
00:21:55,634 --> 00:21:57,733
FROM THE SINALOA CARTEL, FIRST
421
00:21:57,734 --> 00:21:59,934
THEY KILL AND THEN THEY ASK.
422
00:22:00,067 --> 00:22:01,667
>> SOMETIMES THEY DON'T EVEN ASK.
423
00:22:06,234 --> 00:22:07,299
>>AND THAT WAR THAT GRABBED ME
424
00:22:07,300 --> 00:22:08,666
THE BUTTOCKS WHERE IS IT, EH?
425
00:22:08,667 --> 00:22:09,800
>>THE WHAT?
426
00:22:09,801 --> 00:22:11,199
>>THAT LESBIAN!
427
00:22:11,200 --> 00:22:12,299
THE P... THAT GRABBED ME
428
00:22:12,300 --> 00:22:13,434
BUTTOCKS, WHERE DID IT GO?
429
00:22:13,767 --> 00:22:16,767
[♪]
430
00:22:22,000 --> 00:22:23,099
>>NOW WHO ARE YOU CALLING?
431
00:22:23,100 --> 00:22:24,166
>>I HAVE TO ALERT
432
00:22:24,167 --> 00:22:25,299
TO MY CONTACTS.
433
00:22:25,300 --> 00:22:26,566
>>CONTACTS? I MUST BE
434
00:22:26,567 --> 00:22:28,199
HALLUCINATING WITH YOU, LISTEN TO ME.
435
00:22:28,200 --> 00:22:29,299
>>HALLUCINATING I AM WITH THEM
436
00:22:29,300 --> 00:22:30,533
RUSSIANS, THAT ASSHOLE
437
00:22:30,534 --> 00:22:31,933
YASIKOFF, DON'T KNOW
438
00:22:31,934 --> 00:22:33,167
NOT EVEN COOK, IT'S STUPID.
439
00:22:33,400 --> 00:22:36,767
[Cell phone rings]
440
00:22:38,400 --> 00:22:41,400
[♪]
441
00:22:51,901 --> 00:22:53,901
{\an8}[Burst]
442
00:22:55,601 --> 00:22:58,601
[♪]
443
00:23:05,267 --> 00:23:06,868
[Shots]
444
00:23:08,634 --> 00:23:13,100
[♪]
445
00:23:14,067 --> 00:23:15,099
[dial sound]
446
00:23:15,100 --> 00:23:16,199
>>HOW WEIRD, AUNT.
447
00:23:16,200 --> 00:23:17,266
NEITHER OF THE TWO ANSWERS.
448
00:23:17,267 --> 00:23:18,399
>>LOOK, WE HAVE TO
449
00:23:18,400 --> 00:23:19,500
LOOK FOR A SAFE PLACE
450
00:23:19,501 --> 00:23:20,566
WHERE THEY CAN'T FIND YOU.
451
00:23:20,567 --> 00:23:21,633
>>YES, YES, AT LEAST UNTIL
452
00:23:21,634 --> 00:23:23,399
FIND MY PARTNERS AND
453
00:23:23,400 --> 00:23:24,466
WE CAN NEGOTIATE OTHERS
454
00:23:24,467 --> 00:23:25,933
TERMS WITH THE RUSSIANS.
455
00:23:25,934 --> 00:23:26,999
>>THE BEST WOULD BE TO GO TO THE
456
00:23:27,000 --> 00:23:28,399
MY FAMILY FARMHOUSE.
457
00:23:28,400 --> 00:23:30,633
>>WOMAN, HE'S FAR.
458
00:23:30,634 --> 00:23:34,500
>> CAN YOU THINK OF ANYTHING BETTER?
459
00:23:34,501 --> 00:23:35,999
>>OK.
460
00:23:36,000 --> 00:23:37,701
>>IF WE ARRIVE IN THIS JOB.
461
00:23:38,667 --> 00:23:41,367
{\an8}[♪]
462
00:23:46,434 --> 00:23:49,434
{\an8}[♪]
463
00:23:58,701 --> 00:24:01,767
[♪]
464
00:24:14,133 --> 00:24:17,133
[♪]
465
00:24:33,067 --> 00:24:34,132
>>THE TRUTH THAT THE BLONDE OF THE
466
00:24:34,133 --> 00:24:35,233
RESTAURANT DID WELL,
467
00:24:35,234 --> 00:24:36,333
BECAUSE YOU HAVE A C...
468
00:24:36,334 --> 00:24:37,333
LIKE TO HAVE A PARTY.
469
00:24:37,334 --> 00:24:38,600
OH, I WOULD HAVE LOVED TO SEE
470
00:24:38,601 --> 00:24:40,032
HOW A WOMAN GRAB YOU.
471
00:24:40,033 --> 00:24:41,166
>>WELL YOU WERE WRONG BECAUSE
472
00:24:41,167 --> 00:24:42,233
I DON'T LIKE OLD WOMEN.
473
00:24:42,234 --> 00:24:44,466
>>NO?
>>NO.
474
00:24:44,467 --> 00:24:45,533
>>AND THEN I COME AND
475
00:24:45,534 --> 00:24:46,600
I MAKE LOVE TO THEM BOTH.
476
00:24:46,601 --> 00:24:47,700
>>OH, WHAT A FUCK YOU ARE,
477
00:24:47,701 --> 00:24:48,766
YOU ARE A DIRTY AND
478
00:24:48,767 --> 00:24:49,999
BESIDES EVERYTHING, A SHOOTING MAN.
479
00:24:50,000 --> 00:24:51,333
>>BUT HOW EASILY YOU GET PISSED OFF,
480
00:24:51,334 --> 00:24:52,433
J... WE ARE PLAYING.
481
00:24:52,434 --> 00:24:53,566
>>NOT I. DON'T ME
482
00:24:53,567 --> 00:24:55,199
LIKE THOSE GAMES!
483
00:24:55,200 --> 00:24:57,633
>>HEY, NO. OH REALLY.
484
00:24:57,634 --> 00:24:59,032
THE GIRL TOUCHED YOUR C...
485
00:24:59,033 --> 00:25:00,366
AND YOU DID NOT DO ANYTHING?
486
00:25:00,367 --> 00:25:01,666
>>THEY DIDN'T GIVE ME TIME,
487
00:25:01,667 --> 00:25:02,833
WHEN I WAS GOING TO TELL HIM SOMETHING,
488
00:25:02,834 --> 00:25:03,967
THE RUSSIANS ARRIVED, WHICH
489
00:25:03,968 --> 00:25:05,666
GRINGA FILM SHOOTING.
490
00:25:05,667 --> 00:25:06,900
>>IT'S OKAY. IF YOU DON'T WANT
491
00:25:06,901 --> 00:25:08,766
PLAY, I DON'T PLAY ANYMORE.
492
00:25:08,767 --> 00:25:11,334
BUT ONE THING...
493
00:25:12,133 --> 00:25:14,733
HOW DID THE C... GET YOU?
494
00:25:14,734 --> 00:25:16,433
DID HE FUCK YOU LIKE THAT?
495
00:25:16,434 --> 00:25:17,933
>>NAH... NO...
496
00:25:17,934 --> 00:25:20,433
IT WAS SOMETHING MORE LIKE THIS.
497
00:25:20,434 --> 00:25:22,733
IN THAT WAY.
498
00:25:22,734 --> 00:25:24,333
WHAT DID YOU FEEL? DID YOU HUMBLE YOURSELF?
499
00:25:24,334 --> 00:25:25,500
>>I LOVED IT.
500
00:25:25,501 --> 00:25:27,900
>>YES, OF COURSE, BECAUSE I'M OLD,
501
00:25:27,901 --> 00:25:28,999
BUT IF HE WERE A MAN, HE
502
00:25:29,000 --> 00:25:30,433
YOU WOULD HAVE BROKEN YOUR FACE,
503
00:25:30,434 --> 00:25:31,733
NO? YOU HAVE A BUTT
504
00:25:31,734 --> 00:25:34,399
PRETTY CRIMINAL, HUH?
505
00:25:34,400 --> 00:25:35,600
>>WELL I THINK I HAVE ANOTHER
506
00:25:35,601 --> 00:25:37,533
THING YOU'LL LIKE MORE.
507
00:25:37,534 --> 00:25:39,567
>>YES?
508
00:25:39,868 --> 00:25:42,868
[♪]
509
00:26:01,200 --> 00:26:02,299
>>NOW I WANT YOU TO ME
510
00:26:02,300 --> 00:26:03,500
MAKE LOVE ALL THE TIME
511
00:26:03,501 --> 00:26:05,667
NON-STOP NIGHT, HUH?
512
00:26:06,834 --> 00:26:09,834
[♪]
513
00:26:23,167 --> 00:26:26,167
[♪]
514
00:26:36,334 --> 00:26:38,399
Patty: THERE'S SOMETHING IN ALL OF THIS.
SEE WITH YOUR TRIP TO COLOMBIA,
515
00:26:38,400 --> 00:26:39,500
OR AM I WRONG?
516
00:26:39,501 --> 00:26:40,600
>>THE LESS YOU KNOW,
517
00:26:40,601 --> 00:26:41,733
YOU ARE SAFER, PATTY.
518
00:26:41,734 --> 00:26:42,800
>>JAIME, I AM YOUR GIRLFRIEND AND I WANT
519
00:26:42,801 --> 00:26:43,867
KNOW EVERYTHING. YOU SAID YOU WERE GOING TO
520
00:26:43,868 --> 00:26:44,967
DO A BUSINESS WITH
THE GREAT
521
00:26:44,968 --> 00:26:46,132
OF COCA, THIS IS WHY THEY ARE
522
00:26:46,133 --> 00:26:47,566
THE RUSSIANS ARE PISSED OFF, RIGHT?
523
00:26:47,567 --> 00:26:48,733
>>I ALREADY TOLD YOU THAT THIS
524
00:26:48,734 --> 00:26:49,967
IT IS NOT A GAME AND I HAVE NOT
525
00:26:49,968 --> 00:26:51,032
DEAR GET INVOLVED IN
526
00:26:51,033 --> 00:26:52,099
YOU OR THE O'FARRELLS, OKAY?
527
00:26:52,100 --> 00:26:53,166
>>YOU KNOW PERFECTLY THAT MY
528
00:26:53,167 --> 00:26:54,233
I DON'T CARE ABOUT FAMILY. WHATEVER THEY DO,
529
00:26:54,234 --> 00:26:55,299
WHAT THEY THINK, WHAT THEY SAY.
530
00:26:55,300 --> 00:26:56,366
WHAT THEY SAY.
531
00:26:56,367 --> 00:26:57,500
>>QUIET, THAT EVERYTHING
532
00:26:57,501 --> 00:26:58,566
IT'S GOING TO TURN WELL.
533
00:26:58,567 --> 00:26:59,766
THIS BUSINESS IS GOING TO GIVE US WHAT
534
00:26:59,767 --> 00:27:00,933
ENOUGH TO MAKE US INDEPENDENT
535
00:27:00,934 --> 00:27:02,032
OF OUR FAMILIES.
536
00:27:02,033 --> 00:27:03,099
WE WILL NO LONGER HAVE TO LISTEN
537
00:27:03,100 --> 00:27:04,267
SO MUCH BULLSHIT.
538
00:27:04,367 --> 00:27:05,601
KNOW? I GOT TIRED OF BEING THE SHEEP
539
00:27:05,934 --> 00:27:09,166
NEGRA, THE COCOON OF THE SANDS.
540
00:27:09,167 --> 00:27:10,700
>>AND I AM VERY TIRED,
541
00:27:10,701 --> 00:27:12,067
SO I'M GOING TO BED.
542
00:27:12,734 --> 00:27:15,734
[♪]
543
00:27:28,200 --> 00:27:29,900
>>LIEUTENANT JUÁREZ,
544
00:27:29,901 --> 00:27:31,032
YOU WERE RIGHT.
545
00:27:31,033 --> 00:27:32,333
THE SUSPECTS JUST
546
00:27:32,334 --> 00:27:33,867
GET TO JEREZ DE LA FRONTERA.
547
00:27:33,868 --> 00:27:35,032
THEY HAVE HIDDEN IN
548
00:27:35,033 --> 00:27:36,333
THE FAMILY FARMHOUSE
549
00:27:36,334 --> 00:27:38,032
O'FARREL, LIEUTENANT.
550
00:27:38,033 --> 00:27:40,067
THEN COME ON, I'LL STAY ON THE PENDANT.
551
00:27:40,601 --> 00:27:45,200
[♪]
552
00:27:46,968 --> 00:27:51,567
[♪]
553
00:27:51,901 --> 00:27:53,233
>>THAT IS MOROCCO,
554
00:27:53,234 --> 00:27:54,901
THAT IS THE PEÑÓN.
555
00:27:58,767 --> 00:27:59,833
>>CAN YOU KNOW WHAT WE ARE?
556
00:27:59,834 --> 00:28:01,700
DOING IN THE MIDDLE OF NOWHERE?
557
00:28:01,701 --> 00:28:02,800
>>YOU LEFT YOUR LIFE BEHIND
558
00:28:02,801 --> 00:28:03,900
MELILLA, RIGHT? YOU CAME TO
559
00:28:03,901 --> 00:28:05,099
WORK WITH ME, RIGHT? WELL YOU
560
00:28:05,100 --> 00:28:06,333
I WILL HAVE TO TEACH EVERYTHING
561
00:28:06,334 --> 00:28:07,566
WHAT YOU NEED TO KNOW.
562
00:28:07,567 --> 00:28:08,700
>>GOOD.
563
00:28:08,701 --> 00:28:09,800
>>SO NOW I'M GOING TO YOU
564
00:28:09,801 --> 00:28:11,166
TO GIVE YOUR FIRST LESSON,
565
00:28:11,167 --> 00:28:12,466
MEXICAN. SOON YOU WILL KNOW
566
00:28:12,467 --> 00:28:14,233
EVERYTHING I KNOW ABOUT THE SEA AND
567
00:28:14,234 --> 00:28:15,733
NAVIGATION, COME HERE.
568
00:28:15,734 --> 00:28:16,900
>>I'M VERY BRUTE, EH?
569
00:28:16,901 --> 00:28:18,399
TO ME IF IT IS NOT MONEY AND IF IT IS NOT
570
00:28:18,400 --> 00:28:20,433
NUMBERS, I DON'T KNOW ANYTHING.
571
00:28:20,434 --> 00:28:22,032
>>BUT WHO ARE YOU GOING TO FACE?
572
00:28:22,033 --> 00:28:23,533
ARE YOU GOING TO LIE TO ME? IF I DON'T KNOW
573
00:28:23,534 --> 00:28:24,833
NO ONE SMARTER THAN YOU.
574
00:28:24,834 --> 00:28:27,099
COME HERE.
575
00:28:27,100 --> 00:28:29,833
THIS IS YOUR FIRST CLASS.
576
00:28:29,834 --> 00:28:31,701
THIS HERE IS THE RADAR, OKAY?
577
00:28:31,801 --> 00:28:32,800
AND THIS IS THE MOST IMPORTANT THING
578
00:28:32,801 --> 00:28:33,900
OF THE WORLD WHEN WE ARE
579
00:28:33,901 --> 00:28:35,233
CARRYING LOADS, OKAY?
580
00:28:35,234 --> 00:28:36,666
WITH THIS AND WITH THE RADIO
581
00:28:36,667 --> 00:28:37,933
WE WILL ALWAYS KNOW
582
00:28:37,934 --> 00:28:39,132
WHEN WE ARE IN DANGER,
583
00:28:39,133 --> 00:28:40,199
WHEN WE ARE SURROUNDED BY
584
00:28:40,200 --> 00:28:41,500
MOORS, BY CHRISTIANS OR BY
585
00:28:41,501 --> 00:28:44,600
BLESSED CHRIST, DO YOU UNDERSTAND ME?
586
00:28:44,601 --> 00:28:45,800
BY THE GUARD
SPANISH COASTAL,
587
00:28:45,801 --> 00:28:46,999
THE MOROCCAN, THE GIBRALTARIAN. THE
588
00:28:47,000 --> 00:28:48,099
PROBLEM, LOVE, IS THAT ALWAYS
589
00:28:48,100 --> 00:28:49,266
SOMEONE IS GOING TO CHASE US, YES
590
00:28:49,267 --> 00:28:50,733
THEY ARE NOT ONE, THEY ARE THE OTHERS.
591
00:28:50,734 --> 00:28:53,733
AND THIS IS THE ONLY THING THAT WILL HELP US
592
00:28:53,734 --> 00:28:57,032
ALWAYS WARN: LA NETA,
593
00:28:57,033 --> 00:28:58,533
AS YOU SAY, RIGHT?
594
00:28:58,534 --> 00:29:01,500
COME HERE, LOOK CLOSELY NOW.
595
00:29:01,501 --> 00:29:03,399
WHEN I FOOT THIS BUTTON,
THE RADAR
596
00:29:03,400 --> 00:29:05,199
CAPTURE THE NAUTICAL MILES, DO YOU
597
00:29:05,200 --> 00:29:07,299
SEE? OKAY? THIS LINE HERE
598
00:29:07,300 --> 00:29:09,867
IT IS THE SPANISH COAST, THIS IS
599
00:29:09,868 --> 00:29:14,266
ALGECIRAS AND THIS...
600
00:29:14,267 --> 00:29:16,299
BUT WHAT THE F... HAPPENS?
601
00:29:16,300 --> 00:29:17,700
>>WHAT IS THAT?
602
00:29:17,701 --> 00:29:18,800
>>THE BIRD.
603
00:29:18,801 --> 00:29:20,434
>>WHAT BIRD?
604
00:29:23,400 --> 00:29:24,500
>>YOUR HELICOPTER
605
00:29:24,501 --> 00:29:26,267
SPANISH COAST GUARD.
606
00:29:29,968 --> 00:29:31,067
BUT WHAT THE HELL IS HE DOING?
607
00:29:31,934 --> 00:29:35,367
[♪]
608
00:29:40,567 --> 00:29:42,534
>>WOULD HE BE A SON OF A...?
609
00:29:45,767 --> 00:29:48,166
THE ONE YOU SEE THERE, THAT'S THE ONE
610
00:29:48,167 --> 00:29:49,767
OUR WORST ENEMY.
611
00:29:50,834 --> 00:29:57,601
[♪]
612
00:29:57,801 --> 00:29:59,901
DALE, CLASS GOES ON.
613
00:30:01,601 --> 00:30:02,801
DID YOU FIND OUT CORRECTLY?
614
00:30:04,300 --> 00:30:05,300
OKAY.
615
00:30:14,801 --> 00:30:15,933
>>BUT LOOK WHO WE HAVE
616
00:30:15,934 --> 00:30:19,633
HERE, MY PRETTY GIRL.
617
00:30:19,634 --> 00:30:21,933
LONG LONG NO SEEING YOU, RIGHT?
618
00:30:21,934 --> 00:30:23,032
IT'S BEEN A LONG TIME SINCE WE
619
00:30:23,033 --> 00:30:24,467
WE DELIGHT TOGETHER.
620
00:30:25,834 --> 00:30:26,900
>>MISS, WHAT'S GOING ON
621
00:30:26,901 --> 00:30:28,533
WE ARE HERE...
622
00:30:28,534 --> 00:30:29,999
>>WELL...
623
00:30:30,000 --> 00:30:31,199
BUT TWO KISSES FROM FRIENDS
624
00:30:31,200 --> 00:30:33,200
YES YOU GIVE THEM TO ME, RIGHT?
625
00:30:36,801 --> 00:30:37,900
>>AT ANY TIME
626
00:30:37,901 --> 00:30:39,099
YOUR BOYFRIEND MAY APPEAR,
627
00:30:39,100 --> 00:30:40,666
MISS, AND...
628
00:30:40,667 --> 00:30:41,900
>>WELL, IF IT'S FOR JIMMY, DON'T
629
00:30:41,901 --> 00:30:45,099
YOU WORRY, HE DOESN'T
IT'S NOT JEALOUS AT ALL.
630
00:30:45,100 --> 00:30:47,233
>>PATTY!
631
00:30:47,234 --> 00:30:49,000
>>I'M HERE, HONEY.
632
00:30:51,100 --> 00:30:52,467
>>PERMISSION.
633
00:30:53,367 --> 00:30:54,399
>>OW!
634
00:30:54,400 --> 00:30:55,533
>>LATER WE CONTINUE TALKING
635
00:30:55,534 --> 00:30:56,666
OF THE SPECIAL DINNER THAT
636
00:30:56,667 --> 00:30:58,267
I WANT TONIGHT, HUH?
637
00:31:00,901 --> 00:31:01,933
LOOK AT EVERYTHING HE HAS US
638
00:31:01,934 --> 00:31:03,400
ROSARY PREPARED.
639
00:31:05,701 --> 00:31:07,433
EAT, WALK.
640
00:31:07,434 --> 00:31:08,600
>>I HAVE NOT BEEN ABLE TO SPEAK
641
00:31:08,601 --> 00:31:10,533
WITH MY PARTNERS.
642
00:31:10,534 --> 00:31:11,733
NEITHER OF THE TWO ANSWERS, IT IS
643
00:31:11,734 --> 00:31:13,900
AS IF... IF THERE WERE THERE
644
00:31:13,901 --> 00:31:16,267
SWALLOWED THE EARTH OR SOMETHING.
645
00:31:19,434 --> 00:31:20,600
>>THE BODY HAS BEEN
646
00:31:20,601 --> 00:31:21,800
HIT BY A WEAPON
647
00:31:21,801 --> 00:31:23,933
RUSSIAN MANUFACTURING.
648
00:31:23,934 --> 00:31:25,099
>>IT APPEARS THAT THE RUSSIANS
649
00:31:25,100 --> 00:31:27,066
THEY WERE VERY BUSY YESTERDAY,
650
00:31:27,067 --> 00:31:28,233
THEY KILLED SEVEN PEOPLE IN THE
651
00:31:28,234 --> 00:31:30,233
RESTAURANT AND
TO THAT UNFORTUNATE
652
00:31:30,234 --> 00:31:33,132
THEY KILLED HIM ON THE ROAD.
653
00:31:33,133 --> 00:31:35,099
>>WELL IF YOU'RE INTERESTED IN KNOWING,
654
00:31:35,100 --> 00:31:36,833
I WAS FULL OF COCA
655
00:31:36,834 --> 00:31:40,132
OF HIGHEST PURITY.
656
00:31:40,133 --> 00:31:41,800
NOTHING FROM THE LOCAL MARKET.
657
00:31:41,801 --> 00:31:42,933
>>THAT SHOWS THAT HE
658
00:31:42,934 --> 00:31:44,032
CARGO THAT WAS COMING
659
00:31:44,033 --> 00:31:45,633
IT CAME FROM COLOMBIA.
660
00:31:45,634 --> 00:31:46,701
>>THAT IT SEEMS.
661
00:31:46,901 --> 00:31:48,200
[Cell phone rings]
662
00:31:48,400 --> 00:31:49,999
>>EXCUSE.
663
00:31:50,000 --> 00:31:53,233
TELL ME. YEAH.
664
00:31:53,234 --> 00:31:56,666
I'M GOING THERE RIGHT NOW.
665
00:31:56,667 --> 00:31:58,033
ANOTHER BODY HAS APPEARED.
666
00:31:58,534 --> 00:32:01,601
[♪]
667
00:32:08,200 --> 00:32:10,700
>>BEGGAR NUT TARUGA,
668
00:32:10,701 --> 00:32:11,933
IT'S THE FIFTH... EIGHTH
669
00:32:11,934 --> 00:32:13,334
EVERY TIME I TRY TO...
670
00:32:15,968 --> 00:32:19,133
AH!
671
00:32:19,501 --> 00:32:21,333
>>AT NOON...
672
00:32:21,334 --> 00:32:22,933
GIBRALTAR, OKAY.
673
00:32:22,934 --> 00:32:26,633
SEE YOU THERE TODAY.
674
00:32:26,634 --> 00:32:27,700
>>NO... I GIVE,
675
00:32:27,701 --> 00:32:29,132
I CAN'T...
676
00:32:29,133 --> 00:32:30,533
WHAT A FRUSTRATION, I'M NOT USE FOR
677
00:32:30,534 --> 00:32:32,433
THIS MECHANICAL THING.
678
00:32:32,434 --> 00:32:33,633
I DON'T UNDERSTAND WHERE
679
00:32:33,634 --> 00:32:35,901
GO THAT BEGGAR NUT.
680
00:32:36,367 --> 00:32:37,501
>>AH...
681
00:32:41,067 --> 00:32:43,167
LIKE THIS, SEE?
682
00:32:43,501 --> 00:32:45,100
>>HOW DID YOU DO IT?
683
00:32:48,934 --> 00:32:50,032
>>I DON'T UNDERSTAND, I SWEAR
684
00:32:50,033 --> 00:32:52,833
I TRIED IT 20 TIMES.
685
00:32:52,834 --> 00:32:55,867
I CAN'T, I'M VERY MENSA.
686
00:32:55,868 --> 00:32:57,533
>>LOOK, IMAGINE THAT EVERY PIECE
687
00:32:57,534 --> 00:33:00,433
IT'S A NUMBER, UM? YOU ONLY HAVE
688
00:33:00,434 --> 00:33:01,600
THAN ORDER THEM HERE, IN YOUR
689
00:33:01,601 --> 00:33:02,999
MIND, JUST LIKE YOU DID WITH HIM
690
00:33:03,000 --> 00:33:05,199
RADAR, DO YOU REMEMBER?
691
00:33:05,200 --> 00:33:07,366
WHAT YOU ARE DOING, YOU ARE
692
00:33:07,367 --> 00:33:08,733
TRUCKING AN ENGINE SO THAT
693
00:33:08,734 --> 00:33:10,433
CONSUME LESS GASOLINE AND THAT,
694
00:33:10,434 --> 00:33:11,633
WHEN YOU ARE DOING
695
00:33:11,634 --> 00:33:13,199
CHASE ON THE HIGH SEA,
696
00:33:13,200 --> 00:33:14,333
IT'S THE SMALL DIFFERENCE
697
00:33:14,334 --> 00:33:17,533
BETWEEN LIFE AND DEATH.
698
00:33:17,534 --> 00:33:20,100
AND THE CLASS IS OVER FOR TODAY.
699
00:33:20,200 --> 00:33:21,199
LET'S GO, WHAT
WE HAVE MORE THINGS
700
00:33:21,200 --> 00:33:22,967
IMPORTANT WHAT TO DO. GO.
701
00:33:22,968 --> 00:33:24,132
>>WHERE?
702
00:33:24,133 --> 00:33:25,299
>>YOU WILL KNOW THE
FAMOUS PEÑON
703
00:33:25,300 --> 00:33:26,433
OF GIBRALTAR. WE HAVE BUSINESS
704
00:33:26,434 --> 00:33:27,533
THERE AND I WANT YOU TO MEET SOME
705
00:33:27,534 --> 00:33:29,333
PEOPLE.
706
00:33:29,334 --> 00:33:30,833
SO...
707
00:33:30,834 --> 00:33:31,999
LET'S GET RID OF THE DIRT
708
00:33:32,000 --> 00:33:33,999
AND THE FAT. HUM?
709
00:33:34,000 --> 00:33:35,199
WHAT I WANT TO SHOW ABOUT YOU
710
00:33:35,200 --> 00:33:36,333
WITH THE PLAINS.
711
00:33:36,334 --> 00:33:37,399
>>WITH WHAT?
712
00:33:37,400 --> 00:33:38,633
>>PLAINS. THIS IS WHAT THEY CALL THE
713
00:33:38,634 --> 00:33:39,733
PEOPLE OF GIBRALTAR.
714
00:33:39,734 --> 00:33:41,533
>>WELL, I'M COMING. NO MORE THE
715
00:33:41,534 --> 00:33:44,333
I REASSEMBLE AND DISASSEMBLE ONE
716
00:33:44,334 --> 00:33:45,700
TIME. IF NOT, I WILL NOT BE
717
00:33:45,701 --> 00:33:47,333
TASTE. I'M NOT LONG.
718
00:33:47,334 --> 00:33:48,701
>>DO NOT LATE.
719
00:33:49,200 --> 00:33:52,200
[♪]
720
00:33:59,734 --> 00:34:00,868
ARRG!
721
00:34:02,634 --> 00:34:05,634
[♪]
722
00:34:19,767 --> 00:34:20,800
>>THIS CARRIES THE MARK OF
723
00:34:20,801 --> 00:34:22,167
THE "TAVARICH".
724
00:34:22,734 --> 00:34:26,567
[♪]
725
00:34:26,868 --> 00:34:28,766
HOW NOT!
726
00:34:28,767 --> 00:34:29,967
>>IT LOOKS LIKE THIS BOY WAS
727
00:34:29,968 --> 00:34:32,566
INTO SOMETHING VERY BIG.
728
00:34:32,567 --> 00:34:33,999
>>THESE KIDS BELIEVE
WHAT CAN
729
00:34:34,000 --> 00:34:35,700
PLAYING WITH THE RUSSIAN MAFIA, AS IF
730
00:34:35,701 --> 00:34:38,299
THEY WERE IN DISNEYLAND.
731
00:34:38,300 --> 00:34:39,800
BOTH THIS AND THE ONE THEY KILLED
732
00:34:39,801 --> 00:34:41,299
ON THE ROAD, THEY WERE FRIENDS OF
733
00:34:41,300 --> 00:34:43,399
JAIME ARENAS.
734
00:34:43,400 --> 00:34:44,900
DO YOU KNOW IF HE'S STILL HIDDEN IN THE
735
00:34:44,901 --> 00:34:47,066
O'FARREL FARMHOUSE?
736
00:34:47,067 --> 00:34:50,566
>>FLORES HAS CONFIRMED IT TO ME.
737
00:34:50,567 --> 00:34:53,399
>>NOW WE ONLY HAVE
WHAT TO EXPECT
738
00:34:53,400 --> 00:34:54,500
LET THE RUSSIANS TAKE IT AND
739
00:34:54,501 --> 00:34:56,132
MAKE THEM SING.
740
00:34:56,133 --> 00:34:57,633
THAT WILL LEAD US STRAIGHT TO THE FISH
741
00:34:57,634 --> 00:35:00,167
FAT MAN WHO HANDS ALL THIS.
742
00:35:02,334 --> 00:35:03,566
{\an8}>>IN GALICIA, WHERE I WAS BORN, THERE ARE
743
00:35:03,567 --> 00:35:05,333
{\an8}A CAPE CALLED FINISTERRE.
744
00:35:05,334 --> 00:35:07,566
{\an8}Teresa: LIKE FINISTERRE?
LIKE THE END?
745
00:35:07,567 --> 00:35:09,099
>>EXACTLY, IT WAS THE END OF THE
746
00:35:09,100 --> 00:35:10,600
KNOWN LAND BEFORE
747
00:35:10,601 --> 00:35:12,800
WE DISCOVERED AMERICA.
748
00:35:12,801 --> 00:35:14,999
AHA. AND FROM THERE IT STARTED
749
00:35:15,000 --> 00:35:17,099
THE ENTIRE ATLANTIC OCEAN. NO?
750
00:35:17,100 --> 00:35:18,399
WHAT WAS THE UNKNOWN,
751
00:35:18,400 --> 00:35:20,066
THE DANGER.
752
00:35:20,067 --> 00:35:21,166
Teresa: MEXICO.
753
00:35:21,167 --> 00:35:22,867
>>AHA.
754
00:35:22,868 --> 00:35:23,999
Teresa: IS THAT THE PEÑÓN?
755
00:35:24,000 --> 00:35:28,800
>>THAT'S THE ONE. WHAT IS NICE?
756
00:35:28,801 --> 00:35:29,867
Teresa: IT'S BEAUTIFUL.
757
00:35:29,868 --> 00:35:31,366
>>LOOK, I'M GOING TO TELL YOU ONE THING
758
00:35:31,367 --> 00:35:33,600
WHAT THEY TOLD US
WHEN WE WERE RAPATORS.
759
00:35:33,601 --> 00:35:34,800
OF THE ROCK OF GIBRALTAR...
760
00:35:34,801 --> 00:35:35,867
LOOK, DO YOU SEE THAT?
761
00:35:35,868 --> 00:35:37,066
Teresa: YES.
762
00:35:37,067 --> 00:35:38,199
>>THAT IS AFRICA.
763
00:35:38,200 --> 00:35:39,299
Teresa: IS THAT AFRICA?
764
00:35:39,300 --> 00:35:40,366
>>MOROCCO. YEAH. WELL YES
765
00:35:40,367 --> 00:35:41,566
YOU DRAW A STRAIGHT LINE, THERE ARE 14
766
00:35:41,567 --> 00:35:43,099
KILOMETERS AND ALL THIS SEA THAT
767
00:35:43,100 --> 00:35:44,266
YOU SEE HERE, WHERE THEY ARE
768
00:35:44,267 --> 00:35:45,466
BOATS, IT'S THE SEA
769
00:35:45,467 --> 00:35:47,666
MEDITERRANEAN. AND FROM THE LINE TO
770
00:35:47,667 --> 00:35:51,199
THERE WOULD BE THE ATLANTIC OCEAN.
771
00:35:51,200 --> 00:35:53,667
>>THE ATLANTIC?
>>YES.
772
00:35:53,834 --> 00:35:55,433
>>WHAT COMES TO VERACRUZ?
773
00:35:55,434 --> 00:35:56,533
{\an8}MEXICO.
774
00:35:56,534 --> 00:35:58,567
{\an8}[♪]
775
00:36:08,334 --> 00:36:09,500
>>SO IT ALL STARTED WHEN
776
00:36:09,501 --> 00:36:10,633
I CONVINCED THAT I COULD NOT
777
00:36:10,634 --> 00:36:11,733
HIDE ALL THE MONEY YOU
778
00:36:11,734 --> 00:36:12,833
HE WON IN THE CLOSET, LIKE
779
00:36:12,834 --> 00:36:13,933
TOWARDS MY FATHER.
780
00:36:13,934 --> 00:36:15,032
I COULD ALSO SAVE IT IN
781
00:36:15,033 --> 00:36:16,199
SPANISH BANKS BECAUSE
782
00:36:16,200 --> 00:36:17,399
HE EATEN ME HACIENDA.
783
00:36:17,400 --> 00:36:18,566
AND WHAT WAS CLEAR WAS THAT
784
00:36:18,567 --> 00:36:19,633
I DIDN'T FEEL LIKE TO PAY
785
00:36:19,634 --> 00:36:20,700
TAXES FOR A PASTA THAT
786
00:36:20,701 --> 00:36:22,333
IT WAS SO HARD FOR ME TO WIN.
787
00:36:22,334 --> 00:36:23,433
THAT'S WHY I STARTED PUTTING THE
788
00:36:23,434 --> 00:36:25,333
MONEY HERE, IN GIBRALTAR.
789
00:36:25,334 --> 00:36:26,600
Teresa: WHAT IS THE
790
00:36:26,601 --> 00:36:27,833
DIFFERENCE? IN MALAGA, CADIZ...
791
00:36:27,834 --> 00:36:29,933
WHEREVER IT IS, YOU ARE IN SPAIN.
792
00:36:29,934 --> 00:36:31,099
>>GIBRALTAR DOES NOT BELONG TO
793
00:36:31,100 --> 00:36:32,733
SPAIN. GIBRALTAR IS ENGLISH AND,
794
00:36:32,734 --> 00:36:36,533
ALSO, IT IS A TAX PARADISE.
795
00:36:36,534 --> 00:36:37,666
>>EXPLAIN TO ME WELL WHO THAT IS
796
00:36:37,667 --> 00:36:38,800
EDDIE.
797
00:36:38,801 --> 00:36:40,233
>>WELL I ALREADY TOLD YOU, IT'S A
798
00:36:40,234 --> 00:36:41,733
LLANITO LAWYER, WHO SPEAKS
799
00:36:41,734 --> 00:36:42,933
PERFECTLY GOOD ENGLISH AND
800
00:36:42,934 --> 00:36:44,434
SPANISH.
801
00:36:44,634 --> 00:36:45,666
THANK YOU.
802
00:36:45,667 --> 00:36:46,801
Teresa: THANK YOU.
803
00:36:49,200 --> 00:36:50,333
>>AND THAT HELP ME INVENT THAT
804
00:36:50,334 --> 00:36:52,999
THE PAY I EARN IS LEGAL.
805
00:36:53,000 --> 00:36:54,132
>>BUT I DON'T UNDERSTAND WHY YOU
806
00:36:54,133 --> 00:36:55,266
YOU HAVE TO GIVE PART OF YOUR
807
00:36:55,267 --> 00:36:57,533
PROFIT?
808
00:36:57,534 --> 00:36:59,266
>>LET'S SEE, HOW DO I EXPLAIN IT TO YOU?
809
00:36:59,267 --> 00:37:01,333
LOOK, HERE IN SPAIN THE
810
00:37:01,334 --> 00:37:02,700
CHOCOLATE IS CHOKED DIFFERENTLY
811
00:37:02,701 --> 00:37:04,099
WHAT IN MOROCCO. OKAY.
812
00:37:04,100 --> 00:37:05,266
WHEN YOU TRANSPORT
813
00:37:05,267 --> 00:37:06,700
MARKET, THEY PAY YOU TWO THIRDS IN
814
00:37:06,701 --> 00:37:08,600
HAND AND THE OTHER THIRD GOES TO ONE
815
00:37:08,601 --> 00:37:10,399
ACCOUNT IN GIBRALTAR. IN A
816
00:37:10,400 --> 00:37:11,500
BANK IN GIBRALTAR.
817
00:37:11,501 --> 00:37:12,633
Teresa: ANJÁ.
818
00:37:12,634 --> 00:37:13,700
>>OK. THAT'S WHERE IT COMES IN
819
00:37:13,701 --> 00:37:14,800
EDDIE.
820
00:37:14,801 --> 00:37:16,032
OKAY, HE GETS THAT THIRD, WHAT
821
00:37:16,033 --> 00:37:17,233
DEPOSIT INTO AN ACCOUNT AT A
822
00:37:17,234 --> 00:37:18,900
BANK OF GIBRALTAR AND JUSTIFICA
823
00:37:18,901 --> 00:37:21,333
WHAT YOU EARNED WITH COOL BILLS.
824
00:37:21,334 --> 00:37:24,399
OKAY, SO IT MAKES IT LEGAL.
825
00:37:24,400 --> 00:37:25,500
>>OK.
826
00:37:25,501 --> 00:37:27,233
>>HE CALLS HIM LIKE...
827
00:37:27,234 --> 00:37:28,833
SOMETHING LIKE INVESTMENTS
828
00:37:28,834 --> 00:37:30,800
MINIMUM INFRASTRUCTURE.
829
00:37:30,801 --> 00:37:31,900
>>AND WHAT IS THAT?
830
00:37:31,901 --> 00:37:32,999
>>WELL, WHAT THE F... KNOW.
831
00:37:33,000 --> 00:37:34,099
>>BUT HOW DON'T YOU KNOW?
832
00:37:34,100 --> 00:37:35,166
>>THE ONLY THING I KNOW IS
WHAT I DEPEND
833
00:37:35,167 --> 00:37:36,266
OF HIM. I mean, it's not like it's
834
00:37:36,267 --> 00:37:37,433
BLIND, BECAUSE HE KNOWS HOW...
835
00:37:37,434 --> 00:37:38,733
HOW TO WHITE PASTA.
836
00:37:38,734 --> 00:37:40,099
>>YEAH, BUT YOU HAVE TO ASK.
837
00:37:40,100 --> 00:37:44,333
>>HE CHARGES ME UP TO
PRONOUNCE HIS NAME.
838
00:37:44,334 --> 00:37:45,967
>>WITH MORE REASON.
839
00:37:45,968 --> 00:37:50,666
>> YOU'RE GOING TO KNOW HIM.
840
00:37:50,667 --> 00:37:52,166
>>SANTIAGO FISTERRA.
841
00:37:52,167 --> 00:37:54,433
MY FAVORITE GALLEGO. WHAT'S GOING ON,
842
00:37:54,434 --> 00:37:56,633
UNCLE? I FINALLY SEE YOU!
843
00:37:56,634 --> 00:37:57,800
>>EVERYTHING OK?
844
00:37:57,801 --> 00:37:59,266
>>AND THIS? THIS MUST BE YOU
845
00:37:59,267 --> 00:38:01,199
GIRL, RIGHT? THE FAMOUS MEXICAN,
846
00:38:01,200 --> 00:38:02,633
BUT HOW BEAUTIFUL, LOOK AT HER, BUT YES
847
00:38:02,634 --> 00:38:06,533
LOOKS LIKE AN AZTEC PRINCESS!
848
00:38:06,534 --> 00:38:07,833
NO REASON YOU DIDN'T WANT TO LEAVE
849
00:38:07,834 --> 00:38:10,299
AFRICA. YOU HAD TO PROTECT THE
850
00:38:10,300 --> 00:38:13,032
MERCHANDISE.
851
00:38:13,033 --> 00:38:16,132
YES, SIR, VERY BEAUTIFUL. COME ON, WHAT
852
00:38:16,133 --> 00:38:18,700
IT'S PERFECT, GALLEGO. AND ALSO
853
00:38:18,701 --> 00:38:20,800
IT'S DUMB, RIGHT?
854
00:38:20,801 --> 00:38:23,833
BUT GIRL, SAY SOMETHING! WHAT'S HAPPENING?
855
00:38:23,834 --> 00:38:25,132
YOU DON'T HAVE A TONGUE?
856
00:38:25,133 --> 00:38:26,900
>>NO, YES I HAVE. YES I HAVE. I AM
857
00:38:26,901 --> 00:38:28,500
TERESA, YOUR GALLEGO'S GIRLFRIEND
858
00:38:28,501 --> 00:38:30,600
FAVORITE AND HIS NEW PARTNER. SO
859
00:38:30,601 --> 00:38:31,933
WHAT I WANT YOU TO EXPLAIN TO ME
860
00:38:31,934 --> 00:38:33,032
RIGHT NOW WHAT IS THAT ABOUT THE
861
00:38:33,033 --> 00:38:34,132
MINIMUM INFRASTRUCTURE THAT
862
00:38:34,133 --> 00:38:35,701
YOU RIDE WITH OUR MONEY.
863
00:38:36,367 --> 00:38:39,367
[♪]